I recently photographed British actress Charlotte Riley for Harrods Magazine in London. My go to set-up for this is what I use on almost all of my editorial and portrait shoots. It’s a very simple set-up but extremely effective – as I’ve mentioned in a few of my previous posts here on the Gen NEXT blog.
In the studio I am always looking to re-create window light and achieve softness in the skin tones, especially when working with non-models or actresses as the light is very flattering.
Since this shoot required full-length and ¾ length options, I chose to use a smaller octabox below the main light to fill Charlotte’s legs. If we had just used one light, the fall off on the lower half of her body would have been a lot cooler and desaturated.
My main light was the broncolor 150 (5ft Octabox) which was slightly feathered to add depth to the image. We used 2 black v-flats on either side to focus the light on Charlotte and create shadow on both sides – this helps the subject stand out from the background.
Since our background choice was simple, we decided to add some movement to the hair and one of the dresses by using a wind machine. This was held by our assistant Matthew, so that we could focus the wind in specific areas.
broncolor Scoro 1600E Pack
2 broncolor Heads
1 broncolor 150 Octa
1 broncolor 75 Octa
2 V-Flats (on the black side)
1 Wind Machine
Equipment provided by Pro Centre, London
Styling by Poppy Rock
Hair by Charlie McEwan
Make Up by Julie Jacobs
Nails by Lucy Tuker
Digital Tech Matthew Richards
Photo Assistant Oscar May
Retouch by Ashlee Gray Retouch.
Behind The Scenes Images by Oscar May
Monday, May 19 2014
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Friday, May 16 2014
How to shoot with one light
Tuesday, May 13 2014
Creating a cement world for a sneaker shoot
Monday, May 12 2014
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Sunday, May 11 2014
How I partnered up with broncolor
Friday, May 02 2014
Enjoy an overview on how Jason Jia approaches lighting on outdoor fashion shoots